I was one of the artists involved in creating the data stream for Stephen Willat's exhibition at South London Gallery, press release below.
STEPHEN WILLATS: SURFING WITH THE ATTRACTOR
EXHIBITION: 1 JUNE - 15 JULY 2012
PRESS PREVIEW: THURSDAY 30 MAY 2012, 10AM - 12PM
PREVIEW: THURSDAY 30 MAY 2012, 6.30PM - 8.30PM
London-based
artist Stephen Willats is a pioneer of conceptual art and has made work
examining the function and meaning of art in society since the early
1960s. Willats' first South London Gallery exhibition in 1998, Changing Everything, was
the culmination of a two-year project with local residents. Aiming to
create a cultural model of how art might relate to society, the work was
made with and invigilated by the project's participants, and visitors
were also invited to make their own contributions to it. Fourteen years
later, Willats' new show, Surfing with the Attractor, re-presents material from Changing Everything
alongside a new installation featuring a huge ‘data stream’ spanning 15
metres and made in collaboration with 14 London-based artists.
Comprising hundreds of carefully ordered images from diverse media, the
data stream documents two contrasting streets in London: Rye Lane in
Peckham and Regent Street in the West End. Willats' intention for the
data stream is to present a dynamic picture of the transient world we
live in, with its constant change and movement embodying the relativity
in the perceptions that people create for themselves.
Extending
beyond the gallery space, the show also includes films from the data
stream shown on monitors in shops on Peckham Road and Camberwell Church
Street, and graphic stickers will be widely distributed.
The
data stream is a diagrammatic representation of a multiplicity of
individual viewpoints on a shared experience, in this case that of
walking down two contrasting streets of London. In 2011, Willats worked
with artists living in New York to create Data Stream Portrait of New York, presented there at his exhibition, The Strange Attractor, at Reena Spaulings Fine Art. The data streams for that show and for Surfing with the Attractor were
made through a process of allocating each participating artist a medium
(such as a disposable camera, digital camera, video camera, audio
description, rubbing etc.), and a 'channel', such as 'facial
expressions' or 'signs of nature', within which to frame their
documentation of the two very different streets. Willats then worked
with some of artists to edit and 're-media-ise' their documentation into
the diagrammatic format of the data stream in which the multiple
viewpoints and channels are brought together. Cutting across the gallery
space, the vast data stream divides it in two, analogous to the
separation between the two streets recorded, and invites visitors to
create their own walks, both through the gallery and along the two
streets, via whichever channels they choose to focus on. The mass of
information presented in the data stream, and visitors' interaction with
it, combine to make a clear and powerful statement about Willats'
understanding of reality as a cultural phenomenon which is shared and
present within everybody's consciousness, albeit through individual and
therefore differing registers.
The contributing artists are:
Gareth Bell Jones, Laura Bygrave, Reem Charif (Febrik), Lucy Clout, Alex
Crocker, Philip Ewe, Luke Kemp, Nicholas Laurence, Harold Offeh, Paul
Pieroni, Philomene Pirecki, Ros Taylor, Edward Thomasson and Laura
Wilson.
This exhibition also re-presents a colour data stream from Changing Everything in 1998, made from footage shot in the 1990s around the South London Gallery, alongside film works on 14 monitors.
A catalogue accompanies the exhibition and includes an interview with the artist and texts by John Kelsey and Tom Morton.
